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Handel's Messiah

Why see Handel's Messiah?

Experience Handel's unrivalled Hallelujah

Handel's Messiah is one of the composer's most well-known pieces and an iconic Christmas presentation. This year, Carnegie Hall presents three incredible performances of Handel's Messiah, each by a visiting choir including New York's very own Musica Sacra, the Oratorio Society of New York and the Masterwork Chorus and Orchestra.

Handel's Messiah is an oratorio or composition which makes us of a full orchestra and expansive choir and tells a story but without acting or mime. An oratorio is similar to an opera however does not make use of any costumes nor sets as it doesn't have a spoken narrative. Encompassing the much-loved 'Hallelujah Chorus', watching this majestic composition performed by a live choir and orchestra is something that is not readily forgotten and a memorable experience for the family.

Performance Schedule

Masterwork Chorus and Orchestra - Thursday Dec 18th at 19:30
Oratorio Society of New York - Monday Dec 22nd at 20:00
Musica Sacra - Tuesday Dec 23rd at 19:30

Did you know?

Handel's Messiah was originally performed in 1742 as an Easter concert, but today has become synonymous with Christmas.

Key Information

Audience

Suitable for audiences of all ages - younger children are permitted if they are courteous of the other audience members.

Dates

Finished Dec 23, 2014

Cast

Musica Sacra Chorus and Orchestra Kent Tritle - Music Director and Conductor

Reviews

Customer reviews

Christopher Laskey

Wonderful Production!!

I was fortunate enough to attend Friday’s performance and hear the majestic fusing of the superb ensemble of soloists, orchestra and the spirited choir!! It was pure joy that catapulted me right into the Christmas spirit!! Hats off to all of them as well as the production crew for spreading such love and happiness through their voices and instruments! ... Read more

Kealey

Handel’s Messiah, Denver - Valiant

I love Handel’s Messiah. I am so glad Colorado Symphony and Chorus staged this performance. It was a valiant effort but somehow, for me it missed the punch this piece can have. The conductor seemed to favor a technical approach, and moved at a clip which seemed uncomfortable for the performers. In the first half, orchestra and choir were at times out of synch. The second part was more confident. During the more reflective moments the performances resonated. The soprano stood out technically. I’d like to see her with more performances under her belt to see if she can connect more. Programs were not available. I get it , it’s perplexng how unsupported the CSO is in general. I’ve experienced amazing CSO performances that have been scantily attended. I’m glad attendance was better, however, it was shocking that the audience were allowed to tramp in and out at will during the performance. Shocking and disrespectful. I am thankful that our superb CSO and Chorus gave us Messiah. Bravo! ... Read more

Bob

Wonderful soloists. Chorus struggled.

Interesting interpretation. Chorus phrasing was more staccato than I have heard before. “Amen Chorus”, for example. Chorus, especially the Bass section, struggled with some of those very complex passages such as “and He shall purify”. Soloists we’re wonderful. Overall a good performance. ... Read more

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